Friday, April 01, 2016
Monday, November 30, 2015
thebestvandals.co.uk
Monday, September 14, 2015
Food Waste Bags
Saturday, September 12, 2015
This week in words - (RIP Bryn Merrick)
Busy week in the world of how we rock and how we roll… and by the end of it I felt about ten years older, deafer, and slightly more confused about how any of us manage to function in this so-called “scene.”
Most of the week was spent wrestling with the finishing touches of the new link2wales compilation, This Patch Of Land. Seventeen bands. Seventeen different levels of disorganisation. Trying to get them all to send artwork, approve tracks, or even reply to a message felt like trying to herd drunk cats across a minefield. I swear, if there’s a purgatory reserved for music people, it’s project managing a compilation album.
Saturday (Sept 5th) brought Spam Javelin’s fifth gig at The Dirty Weekend, now relocated to Chester Lakes after Rhyl’s venues finally out-shitted themselves into irrelevance. We were on at 3pm in a tent, which was fine, except we nearly didn’t get there thanks to a tyre blowing out so badly it was down to the bare thread. There’s nothing quite like changing a tyre with a knackered back while all your amps sit in the boot smirking at you.
We made it, played hard, and even enjoyed it—though the main-stage band had overrun their slot, meaning half the potential crowd didn’t even know we existed. Then, as if things weren’t irritating enough, I later found out the drunk drummer from Vitriolic Response had been wandering around telling people we were sexist homophobes. A bold accusation from someone whose band name sounds like a medical condition. What a fucking wanker.
Sunday was a different story entirely. I took my two-year-old along and we soaked up the vibe properly—lentil curry, sunshine, wandering about, the whole deal. Emissaries of Syn tore through a blistering set at 1pm, despite the suburban local Nazis complaining about the noise from inside their beige living rooms. I picked up a pile of vinyl, books and zines, then went home and updated my very, very anal Bands Seen List—which now sits at a mighty 2031. My ears ring constantly and, being in a hardcore band, I’ve fully accepted that I’m fucked.
Music-wise, I’d been listening to an advance stream of the debut St Pierre Snake Invasion album. Proper good stuff. The only downside is modern technology itself—no CD, no vinyl, just a link. Everything’s a bloody link.
Tuesday was a proper high point. Took my daughter Marni to Manchester Academy to witness the phenomenon that is Future Islands. They were fucking ace. Saw them last year, before they blew up, when you could still feel like you were in on the secret. Not quite the same intimacy this time—no one shouting “C’mon Gwaenysgor! Let's make some fucking noise!”—but still small enough to make eye contact with the band. Support came from Du Blonde (solid) and Dope Body, who were disjointedly brilliant. I even haggled two albums off them for a tenner each, proving I can still barter like a dad at a car boot sale.
Thursday (10th) brought another Spam Javelin show, this time at The Skerries in Bangor. Good crowd, good energy. Addicted To Fish were their usual amiable selves. Bad Excuses didn’t show up—possibly because I’d mentioned the number of covers they play and their bassist got a bit feisty about it. Probably for the best; could’ve been an “interesting” evening. Daf Jones opened on acoustic, but I was so wrecked I slept in my car instead. That’s rock'n'roll life for you—sometimes you miss the opener because unconsciousness wins.
And then today (Saturday) hit hard. Bryn Merrick—ex-The Damned—passed away from cancer. Proper gut punch. He was always the friendly face during that mid-’80s Damned era. Once, after a gig, he even let me autograph his arm. A sweet, solid bloke. Another good one gone.
Wednesday, September 02, 2015
Debt Collectors
So I contacted them...
Ieuan Dai Tree
Then I realised I needed another debt collecting.
So I contacted them again..
However, the average kerbside price for a cup of tea is £1.50, and I have on record that a total of 173 cups were made for the protesters over this period (it would have been more but one of them, Angel, had to help save a beached dolphin in Rhos-On-Sea last week).
This amounts to £259.50 plus Wonga’s reputable interest rate equals £10,125.69 making a grand total of £10,197.38.
Frank Calabrese
Still not heard back from them....
Monday, August 25, 2014
Fingertip Music

Amazing how technology moves at a pace... From the days being a kid with a tape recorder, finger poised on the REC button, hoping John Peel would play something recordable, to today, where you can get almost EVERYTHING that's ever been recorded - ON DEMAND...
Of course, ordering 7" singles (or vinyl) has once again come back into fashion, and I rue the hundreds upon hundreds of vinyls I sold on eBay all those years ago (despite the filthy profit).
Vinyl has taken such an upturn that I was at a gig the other night and the merch stalls all had vinyl (even cassettes!) and no CDs - also, the bulk of the vinyls come with a unique download code, so you can listen on your iPods etc.
Minus vinyl, the pic above is a 'scrobble' on Last FM that details what I listen to thru my PC... this is what I've played in the last 7 days...
This particular show came on in the car on the way to see Converge, Okkultokrati and Martyrdod in Manchester (review) - three bands completely unknown to me and three bands, whose music I now play regularly.
And two artists regenerated and much to my own surprise and ignorance are Gary Numan and Peter Murphy, who, rather than cash in on the cabaret circuit are still out there releasing and touring new (and very good) material.
Oh... and The Holy Bible is 20 years old... the Manic Street Preachers' finest hour...
Tuesday, June 17, 2014
Day16: Pussy Footballers
Monday, June 16, 2014
Day15: Motorway Services
Sunday, June 15, 2014
Marchlyn Mawr
Last week we did Marchlyn Bach - This week we did Marchlyn Mawr - a good, not too taxing walk - takes about 3 hours..
Built to feed the Dinorwic Power Station, the lake itself lies in between two mountains Carnedd y Fillast and Elidir Fawr and lies at a height of 636m above sea level and the reservoir took four years to build (from 1975-1979).
From the reservoir, a 34 ft diameter tunnel runs for a mile to a 33ft diameter vertical shaft. From the bottom of the shaft, a 31ft diameter tunnel leads to the power station, 670 metres away.
Day14: Chocolate Bar Rip Off
Saturday, June 14, 2014
Day13: Superstitions
Friday, June 13, 2014
Day12: Dr Alexander
Thursday, June 12, 2014
Day11: The Jeremy Kyle Show
Wednesday, June 11, 2014
Day10: Celebrity Wannabes
Tuesday, June 10, 2014
Day9: Paul Whitehouse Aviva
Monday, June 09, 2014
Day8: Rik Mayall
Today really is a shit day...
Sunday, June 08, 2014
Day7: Cyber Cats
Saturday, June 07, 2014
Day6: Supermarket Self Checkouts
Friday, June 06, 2014
Day5: Facebook Attention Seekers
Well, for attention of course...
Thursday, June 05, 2014
Day4: Spam
Wednesday, June 04, 2014
Day3: Tribute Acts
It's a sorry state of affairs that the only way venues, promoters and bars can survive is to put on such crap to pull in the arseholes willing to pay to see it. Fuck Off..!!!!
Tuesday, June 03, 2014
Day 2: Supermarket Bastards
And mark my words.. It won't be long before you can get your nails done in Tesco, have a dental check-up in Asda, get your car MOT'd in Sainsburys and a fucking tattoo in Morrisons...
I visit supermarkets very often to pick up their Reduced items. Tonight I picked up tea, lunch and dinner for a whopping total of 60p, as for buying anything else they make it so hard... Where can I buy fish without using a boat?
Monday, June 02, 2014
DAY 1: I Hate Anyone Who Drives A Toyota Yaris... Wankers
Eg; Nissan Note - the name says it all... I mean, a Nissan Note... What wanker buys a car called a Nissan Note? A Roundabout Wanker, that's who...
Friday, November 30, 2012
Saturday, June 30, 2012
Stone Roses reunion at Heaton Park
Wednesday, April 20, 2011
Facefook
Sunday, February 20, 2011
Battle of the Bands: Why Do We Keep Falling for This?
So how the hell did I end up sat on a judging panel, sneering like a bald Simon Cowell at a parade of hopefuls all vying for the coveted “Best Band” crown? Who am I to decide whether one band is better than another? Sure, some are — but it’s all down to taste. One man’s Stuntface is another woman’s JLS.
Why Battles of the Bands Suck
I’ve never entered one myself, though when I managed Pocket Venus I did once sign them up for a competition in Ellesmere Port. I encouraged them to trash the brand-new drum kit provided for the evening. Cue chaos: fists flying, finger-pointing, boos, jeers… and, unsurprisingly, no victory. But that’s the point — these nights aren’t about the music, they’re about how many mates you can bus in to scream the loudest.
Do I blame bands for entering? Not really. The organisers dangle carrots: a slot at Glastonbury, opening a muddy Tuesday morning tent to a couple of bemused dairy cows; a day in a “recording studio” canteen; maybe a month’s supply of Big Macs. Who wouldn’t be tempted?
The Llandudno Experience
So when Cumi phoned asking if I’d judge one of these things at Venue Cymru in Llandudno, I reluctantly said yes. To be fair, there are positives. The bands get to play on a big stage with pro sound and lights in front of 650 people — for many, a first taste of the big league and an unforgettable buzz.
But the cons? The judging panel. Alongside me sat: the venue manager, a police superintendent, a BBC weather girl, a 70-year-old drum tutor, and his mother — the mayoress of Llandudno. Apart from the drum guy (and maybe the BBC girl), what the hell did any of them know about music? After our deliberations, it turned out: absolutely nothing.
And the Winner Is… Bemusement
No offence to Bad Dog, but the judges were dazzled by a Guns N’ Roses cover. A cover! In my book, that’s zero points for originality. Why not just rename it “Battle of the Karaoke Queens”? For the record, Bad Dog are a really hard rocking band and are above shit like BoTBs. There are some artists who habitually enter these 'competitions' for reasons only they will be able to answer.
Still, I can’t be too bitter. I got to watch ten bands play their three best songs (minus the covers), which saved me traipsing around North Wales sitting through full sets. A couple of standouts even emerged: Jed is Dead and Y Cer. I already knew about Zebedy and Kixxstart Kitty. Future Perfect were quirky, Rumour and Longshot were decent, Whiskey & Lace were disturbing in all the wrong ways.
Final Thoughts
Would I judge another Battle of the Bands? No chance. But then again, who am I to pass judgement?
Tuesday, August 17, 2010
When Vinyl Came to Rhyl: My 3-Second Screen Debut
I was chatting with Mike Peters, as I often do, when he casually dropped the sort of line that only Mike can:
“Sara Sugarman’s in town, casting for her new film Vinyl at the Pavilion in Rhyl – think Marni might want a part?”
My daughter Marni, was both star-struck and fearless, she ended up spending a full day on set as one of a group of teenage fans chasing a young band. My niece and nephew, Erin and Rhys, were also in on it, cast as extras in a funeral scene. For a film about music, youth, and reinvention, it felt only right that the family got involved.
Then Mike looked at me and grinned.
“You’ve got to be in it too – just turn up. Tell them I sent you.”
And so I did.
Mike also had the idea of a band playing in the Pavilion foyer during auditions and did I have any suggestions: Carpet! I cajoled local grunge legends Carpet into playing. Picture it: a raw, fuzzy wall of filthy guitars bouncing off the glass walls, bemused auditionees queueing for their moment while a live band tore it up just meters away. It was surreal. It was brilliant. It was Keeping it Rhyl.
When I turned up to audition, the room was full of hopefuls. I sat, waited, watched the low budgetness unfold. Then I was called in.
Inside was Sara Sugarman, flanked by two others. She looked up, curious. I explained – probably a bit sheepishly – that I wasn’t here to audition per se, but that Mike had told me to come down, that I was meant to have a cameo.
Sara’s eyes lit up.
“I’ve got just the part for you,” she said.
“Come back next week.”
Tuesday, 17 August 2010, I arrived back at the Pavilion with my young son Declan in tow. He was a little shy but well-behaved – a miracle considering how long we waited. They even offered him a part, but he politely declined. We ended up spending hours with a motley crew of film extras: mostly local doormen from Rhyl, including one standout character called Lordy, who kept spirits high with relentless banter and mischief.
Time dragged. We’d been there since 11:30am. By 3pm, we hadn’t filmed a frame. Then something happened that jolted the day alive: Keith Allen walked in.
Yes, that Keith Allen – renegade, rock-and-roll wild card, and bona fide screen legend. Watching him was something else. One minute we were chatting casually about Lily (yes, that Lily Allen) and Twin Town, the next minute Sara called “Rolling!” and he snapped into character like flipping a switch. One second he’s your funny mate from down the pub, the next he’s full-throttle intensity. It was mesmerising.
Oh, and Perry Benson and Phil Daniels were there too – yep, Quadrophenia, EastEnders, Parklife Phil Daniels. Just hanging about like it was the most normal thing in the world.
The Big Moment (All 3 Seconds of It)
When I finally got called, I was dressed in a security guard’s outfit and given my cue:
“Manhandle Keith Allen into the dark room and tell him to calm down.”
That was it. My film debut.
Three seconds of camera time.
One slightly forceful shove.
And a line delivered with all the calm authority I could muster while trying not to fanboy all over Keith Allen’s coat.
It might not sound like much, but it was ace. I had a front-row seat into the world and theatre of filmmaking.
Vinyl: A Love Letter to Music and Mischief
If you’re not familiar with Vinyl, it’s a comedy inspired by a real-life stunt pulled by Mike Peters and his band The Alarm. In 2004, frustrated by music industry ageism, they released a single 45 RPM under the name of a fake young band—and watched it climb the charts. Vinyl takes that story and runs with it, adding laughs, characters, and charm.
Director, Sara Sugarman was born in Rhyl in October 1962 and began her career as a punk‑rock teenager fronting a band called The Fractures, managed by Mike Peters. Their early connection in Rhyl's music scene later brought her to direct Vinyl and film it in their shared hometown. Sugarman later trained at RADA and appeared in films like Sid & Nancy before transitioning to directing (Confessions of a Teenage Drama Queen, Very Annie Mary, and eventually Vinyl).
It didn’t matter that my screen time was brief or that Declan didn’t end up in the final cut. The film was OK, no one was gonna get an Oscar, but it had a certain nostalgic charm to it, and of course it was filmed in Rhyl where it all began, the scrappy, butt of many a joke North Wales town that raised so many of us.
Wednesday, August 11, 2010
The Damned – Brickyard, Carlisle
In the summer of 2010, I made the long trip up from North Wales to Carlisle to catch The Damned at the Brickyard – and it was worth every mile. Thankfully, friends put me up for the night, making it a proper little adventure rather than just a fleeting dash across the country.
That's my big bald bonce at the front!
The venue had a sweaty, close-quarters energy – just right to see a band like The Damned, who thrive off the crowd’s enthusiasm. Captain Sensible was absolutely on form throughout the set, ripping through the classics with that signature mix of buffoonery and charm. Even better, he was mingling with us both before and after the show – no rockstar aloofness here, just a genuine connection with the fans.
The set leaned into their punk roots with big hitters like New Rose, Love Song, and Smash It Up, while also pulling out deeper cuts like A Nation Fit for Heroes. The crowd lapped it up, and so did I – one of those gigs where you come away feeling like you were part of something a bit special, and very intimate.
A proper night to remember – Carlisle may not often be the centre of the punk nostalgia universe, but for one Wednesday night in August 2010, it absolutely was.
Saturday, January 02, 2010
Hippy New Year
I spent most of 2009 in a tent, or at least that's how it felt, with the bulk of the summer taken up by Festivals, drinking, travelling, drinking and, well, drinking. This had a detrimental effect not only on my liver, but also on my up-to-date knowledge of Welsh music (as in music from Wales in both languages). So praise the Lord for Adam Walton, and praise him even more for kindly collating his best of 2009 into an all killer no filler 3 hour radio show last week. Listening to it cost me £20 in online purchases, where on hearing certain bands I was instantly compelled to buy their stuff. Most of my Walton listening is done during the week on the BBC iPlayer; it's a case of home from work, Walton on, get the tea on and eat it while he witters away and plays exciting new music. That'll take about 40mins and I'll repeat the feat the next night and so on until I've heard the full 3 hours. On the Sunday evening occasions I do get to listen in live, it's a case of a bottle of red and PC at the ready and I'll update the link2wales website as I hear and learn of new stuff.
Talking of new stuff; this week I have mostly been listening to The Docfeistr compilation album out now on Ankst Music, which is a bizarre concept album about a seaman-monster who terrorises and seduces the population, and although mainly hip-hop orientated, does feature the delights of Tew Shady a Cofi Bach, Mr Huw, MC Mabon, Stilletoes and Yr Ods.
Also knocking on the door of my in-box are the much improved Leucine - who've regrouped, got their songwriting heads together, hit the studio and are about to hit your senses with a new EP. Stand out tracks are The Fuse is Lit (which has been knocking around for a while) and the excellent Hospital Driver Please. Now, I'm no fan of emo and find screamo a bit tiresome (it's my age!), but Leucine manage to find a decent balance in the never-never land between the two genres. Superbly recorded and crafted work that even had Steve Sync nodding in the car the other day! Oh, add Where is The Diamond to that list just for the sheer energy of the song.





















