Showing posts with label manchester. Show all posts
Showing posts with label manchester. Show all posts

Thursday, April 14, 2022

This Town Is Big Enough For All Of Us - Sparks in MCR

Twice in a week I've been to a gig and been among the youngest in the audience...

Someone couldn't go and I ended up with a ticket and hotel room and watching Sparks at the magnificent Albert Hall in Manchester. Plus the added bonus of being chaperoned along the M56.

Sparks are not a band I've paid much attention to since being scared to death as a schoolkid watching Top Of The Pops. The image on Ron Mael's staring eyes and inscrutable countenance as he sat rigid at his keyboards would leave 'us kids' terrified. His Adolf Hitler 'tache and flick had you both laughing and being scared at the same time. His younger brother, Russell would be prancing about the stage as they mimed Beat The Clock.

Fast forward 40 years and little has changed... Ron and Russell are now 76 and 73 years old. Ron has warmed slightly, ditched the Hitler 'tache for a pencil version, and shows signs of being almost human. Russell is still prancing and pirouetting (tho they didn't play Beat The Clock).

Apart from the obvious song, I think I barely recognised another old hit and something off the new album 'A Steady Drip Drip' that's been receiving airplay lately. That's no reason to not enjoy the show... I loved every second and every element about it; from the secret bar tucked away at the back of the balcony, to the extended ovations from a rapturous audience, to the choice of songs from a back catalogue that spans half a century.

That's right... Sparks began at the start of the 70s as Half Nelson, and delving into that era, it's evident they were out on a limb musically, and have kind of stuck to it and let trends find them rather than the other way.

One funny anecdote, I always assumed they were German band...!!! Ha...!

Saturday, December 07, 2019

Gig Review: Wonk Unit + Laserchrist at The Star & Garter, Manchester

 


Sometimes a night out just escalates.

Saturday 8th December 2019 was one of those nights — when Wonk Unit and Laserchrist took over The Star & Garter in Manchester, and everything descended (or maybe ascended?) into a sweaty, glorious mayhem. I went with Rich and Garry (always a recipe for something), catching the train from Rhyl, and by the time the night was over we were moshing, drenched in beer, and... maybe a tiny bit tipsy.


🚂 The Journey

We kicked things off catching the train from Rhyl — excited, fresh from our yoga session and drinking herbal tea, and ready for whatever Manchester could throw at us. The Star & Garter, nestled behind Piccadilly Station, is already a venue that feels like it’s held together with spirit, electrician's tape and sweat — the perfect backdrop for what was to come.


🔊 Wonk Unit: Punk with a Personal Touch

Wonk Unit don’t just play gigs. They create punk-powered parties that blur the lines between performer and audience — just don't ask to be on the guest list. We somehow ended up chatting to Alex, the band’s charismatic frontman, and when he heard we’d be bailing 20 minutes before the end to catch the last train, he literally rewrote the setlist on the spot to include the songs we came to hear. Absolute legend.

The set was chaotic, funny, loud, and full of heart. Moshing broke out, stage-diving kicked off, and somewhere in the madness, someone dressed as a man-sized pigeon started dancing in the pit. There's apparently video evidence out there... unless the herbal tea was a hallucinogen one (Tesco's finest).




💥 Laserchrist: Angsty Hardcore Fire

Laserchrist were a perfect support act — pretty well spaced out songs, as in, good spaces within their songs (does that make sense?). Their American-style hardcore sound had a dogged punch with memorable tunes. Definitely worth checking out their ‘DIY-Bother EP’ if you like fast, emotional, raw (almost) hardcore punk. They had the crowd riled up early and set the tone for the night ahead.




🍻 The Aftermath

Did we get too drunk? Yes. Did someone throw up? Probably. Did we care? Not one bit.
This wasn’t just a gig — it was an experience: part punk show, part social experiment, part drunken odyssey. It had heart, laughter, bruises, beers, and a pigeon. Everything you want from a proper underground show. Somehow, I don't know how, we caught the last train home.
When you wake up the following morning and you can't see properly, you know it's gonna be a pyjama day.


Would I do it again?
In a heartbeat.
With water next time.

Saturday, September 17, 1988

Manchester Boardwalk Blitzkrieg / 4Q

Huw Prestatyn kindly agreed to drive us to Manchester’s Boardwalk. On arrival? Total confusion. Our promoter Dave Bennett was supposed to front £170 to cover the venue, soundman and door staff. The manager wasn’t having it at first and it looked like the night was dead in the water. After much arguing, he finally relented but warned that if the takings didn’t cover the costs, he’d baseball bat the promoter. Fine by us.

By 10pm the place was empty. Not a soul. Then, just as despair set in, a huge throng of fresh-faced first-year students came marching down the road, chattering and singing with their new grant money burning holes in their pockets. At least fifty of them. I intercepted, laid it on thick, promised them the night of their lives for £2.50 — and fuck me, they all came in.

The gig that followed lives long in memory. None of these kids had a clue what punk was, but they didn’t care — they danced, cheered, stage-invaded, got pissed, and turned the Boardwalk into a madhouse.

We tore into Nein Werk and Video Party. Cumi was on form, spouting:
“Mary had a little lamb & it was always grunting, she tied it to the garden gate & kicked its little…”
Then introducing VD:
“It’s about Wales, sheep & the things you do to them.”
Me: “He mentions that at every gig.”
Cumi: “I don’t, you do.”
Me: “Do you want me to take my clothes off?”
Crowd: “NO!”
Cumi: “They don’t want to see a gnat’s penis.”

By Not Now Not Never I was pointing into the crowd: “This one’s dedicated to him. It’s a description of his sex life.” Cumi piled in: “And his dick.”

During 1984 I peeled off my jumper just to show my “trendy designer t-shirt.” Cumi: “It’s fashionable, isn’t it?” Cue wooos from the students.

We crashed through Dope Fiend and PMT (my adaptor plug came loose, cutting the guitar out completely). I shrugged: “They don’t need a guitar, they seem to manage quite well without me.” Cumi filled the gap: “This is the interlude where we have a rest and you can buy your sweets, ice creams & crisps in the foyer.”

Jerks went down tight. Afterwards I joked: “People always say we’re cliched. Well, we’re going to show you just how cliched we can be.” Cumi: “Cliched?” Me: “It’s a French word meaning ‘we’ve seen it all before’.” Someone yelled: “It means crap!” Me: “Yeah, that’s about right.”

God Save the Queen got a massive cheer — the best we’ve ever played it. Twisted Tabloids was introduced by Cumi: “This song’s about donkey’s piss flaps.” Big cheers, none the wiser.

We closed with Systemisation, me giving it the “last disco smooch” spiel:
“This is for all you sweethearts. You know when you’re at a trendy disco and the last song is ‘Last Christmas’ by George Michael? Well this is our version. Have a smooch.”
Cue chaos and mock ballroom dancing. Before the last chorus I announced: “I think Blitzkrieg are the best band I’ve seen this week, a fine bunch of musicians.” The room erupted, standing ovation, chants of “More! More!”

Cumi signed off: “Thanks a lot, goodnight — if you want to see us again we’re at the Swinging Sporran in Chorlton, a week on Saturday.”
“Who with?” shouted someone.
“Wham, Kajagoogoo & Tina Turner,” deadpanned Cumi.

I went to turn my amp off and fell flat on my face, raising the roof one last time.

Then Blitzkrieg came on. After three songs, the place emptied.