The Bee Hotel Massacre – 4Q in Rhyl

 

The Bee Hotel in Rhyl was never a great gig. Cumi and Matt didn’t want to do it, and I couldn’t blame them. Bee gigs were usually more trouble than they were worth — dodgy sound, small crowds, and an atmosphere that felt less like a venue and more like a waiting room. But a gig’s a gig, and in those days, we didn’t say no to playing.

At first it looked like we’d made the wrong call. The room was empty until 9:45pm, then suddenly people began streaming in — mostly Matt’s clan of family, friends, and admirers who’d come en masse from Colwyn Bay. By the time we were ready, the Bee was packed and already brimming with trouble.

Soundcheck was a nightmare. Levels wouldn’t sit right, feedback screamed, and then someone called Boz decided he was the star of the night. He picked up Robin’s guitar like it was his, and when I told him to put it down, he mouthed off, slagging us off like he had some divine right to any instrument in reach. I’ve never had time for musos like that — the type who think playing a few chords entitles them to anything they want.

If the saying’s true — that a bad soundcheck means a good gig — then this night was determined to prove otherwise. We opened with LSD, only for both Robin and Gumpsh to snap strings almost simultaneously. Absolute carnage. And there I was, trying to impress Martin Trehearn, hoping he’d consider booking us for The Bistro, while our set collapsed around us.

Once the guitars were restrung, Gumpsh’s lead gave out. Cheap gear will always betray you at the worst time. While he fumbled about, the rest of us tried to keep the crowd alive with a chaotic rendition of Purple Haze. It was shambolic, but at least it bought us time.

From there, the set lurched forward: Nein Werk, Video Party, Bat Gooch, VD, Poo On My Shoe, Burn in Hell, I Hate TV, We Want You, Imagine, 4Q Blues. It was raw, loud, and messy — a typical 4Q gig. By the end, the Bee looked like a scrapyard: smashed glasses, puddles of beer, debris of a night too wild for its four walls.

The image that’s burned in my mind, though, isn’t the broken gear or the broken glass. It’s one of Matt’s endless girlfriends, slumped unconscious in a chair, her head thrown back, vomit tangled through her hair and streaking her face. That sight was the punctuation mark on the whole night — ugly, tragic, unforgettable nad really fucking funny.

We’d rolled in from Colwyn Bay and trashed the place. It wasn’t a triumph. It wasn’t a disaster. It was 4Q: chaos in motion, leaving wreckage in our wake.