Saturday, February 24, 1990

4Q / Black Listed - The Swinging Sporran

Manchester. The Swinging Sporran. It sounded exotic, like the sort of place you’d expect to find wild Highland dancers or whisky-fuelled riots. What we actually found was a mostly empty pub with a scattering of punks and a landlord who thought he was running the Hacienda.

When we rolled up, a knot of out-of-town punks were waiting for us — kids who’d been buying Crud fanzine for years. They gave us a hero’s welcome, and for a moment we thought we were in for a packed night. But as it turned out, apart from Danny Williams, John Casey and a mate, that was pretty much the lot. Thirty people, tops.

Still, thirty punks are louder than three hundred indie kids, and we made the most of it. Black Listed, the semi-metal band we’d sort of adopted from Penmaenmawr, opened up. They were eager, tight, and clearly desperate to do everything “the proper rock way” — the posturing, the flourishes, the ritual of “being a band.” I don’t mean that unkindly, but they would’ve done better just being themselves. You can’t fake sweat and chaos. Still, they got through it, and for a bunch of lads still finding their way, it was decent.

Then it was our turn. After the 500-strong Aberystwyth gig the week before, playing to thirty in Manchester should’ve felt like a comedown, but it wasn’t. If anything, I enjoyed myself more. The smaller the crowd, the more personal the piss-taking, and the night quickly became a running exchange of banter between us and them.

We blasted into LSD and Mental Asylum, the sound bouncing off the walls like we were playing in a rehearsal room. I Hate TV and Bat Gooch kept the energy up, but then Matt smashed through yet another bass pedal — his third that week. With him out of action, we killed time with an impromptu Stand By Me, everyone singing along, the sort of daft interlude that makes a gig feel alive.

We patched the set back together with Burn In Hell, Poo on My Shoe, Imagine, and We Want You. During the latter, my bass just dropped clean off — strap gone, instrument clattering to the floor. I just laughed and carried on. The crowd loved it; nothing like a bit of unintended slapstick to keep people happy. We closed with 4Q Blues, Robin shredding like he was headlining Donington in front of 30 bewildered Mancunians.

At the end of the night, the landlord decided to play the heavy. He turned up with a seven-foot-wide bouncer in tow, demanding twenty quid for room hire. Twenty quid! We’d pulled in barely thirty punters. But after some fast talking, a lot of shrugging, and a cheeky promise to “forward the difference next week,” I got him down to a tenner. He probably knew he’d never see the other half, but we shook hands on it anyway.

We left Manchester grinning. No, it wasn’t the triumph of Aberystwyth, but it was raw, ridiculous, and ours. Sometimes thirty punks in a half-empty pub are better than five hundred students in a hall.

Friday, February 16, 1990

Aberystwyth: The Night 4Q Took the University

 

Aberystwyth University. Five bands, 550 students, and a PA that cost £180 but sounded like it had been salvaged from a skip. We were on the bill with U Thant, Mavis Riley Experience, the Mistecs, and Jon Busker, and while the night promised plenty, it quickly descended into the kind of glorious wreckage only 4Q could deliver.

The Mistecs opened — a gaggle of Blaenau schoolboys thrashing out a tupenny-ha’penny Metallica imitation. Everyone has to start somewhere, but honestly, they should’ve stayed at home with their homework. Then Jon Busker followed with his anti-fox-hunting song, which was so dreary it made you want to pick up a shotgun and go after the nearest fox just to spite him.

Then came the Mavis Riley Experience, and they were wonderful. Even Matt liked them, which was a miracle in itself. By the time we were up, the place was primed for carnage.

We didn’t get a soundcheck thanks to U Thant turning up late, and it showed. With two lead guitarists battling for supremacy, the mix was shite, and to the poor sound engineer it must’ve sounded like a car crash. Within minutes of plugging in, Gumpsh pulled a “Neil Crud special” — breaking a string by looking at it. While he wrestled with his guitar, the rest of us jammed Stand By Me to fill the gap. The crowd lapped it up.

And then it was on.

“Thank you, c’mon!” Cumi bellowed.
“There’s not enough room for them to come up onstage, Cumi,” I shouted back.

We launched into Mental Asylum — or as I renamed it mid-song, Mental Shed. It was so loud we couldn’t hear a bloody thing we were playing, but the crowd didn’t care.

“This one’s for everyone who watches Coronation Street,” I quipped.
“Is everyone enjoying themselves?” Cumi yelled.
“Yeah!” came the reply.
“What about you lot at the back? You’re all boring.”

On we went, chaos and noise. I Hate TV ran two verses short because Cumi lost track. I demanded more guitar in the monitors. We barrelled into Bat Gooch, where we bullied the crowd into joining in with a chorus of “Oi!”

We tore through Twisted Tabloids, which I introduced with a story about getting lost in a field near Blaenau Ffestiniog on the way to the gig. We Want You followed, then Cumi tried to big us up: “We’ve almost secured a record deal, this one will almost definitely be the single. It’s called Burn in Hell.”

“Single what?” I chipped in. “Single cream?”

People danced! Fuck me! Next was Poo on My Shoe it hit like a hammer, “fucking spot on.” Imagine descended into comedy, with Gumpsh starting it out of tune to our delight, and the audience split down the middle on whether John Lennon was genius or tosser. We wrapped it with 4Q Blues, Robin hammering out a ridiculously over-the-top metal solo just to put the cherry on the cake. And Cumi doing a walking handstand.

“Cheers,” I said. “I thought we were bloody marvellous.”

And we were. For all the feedback, the string breaks, the insults, and the nonsense, we’d owned the night. So much so that when U Thant came on after us, they had to work twice as hard just to keep the crowd. I even stayed to watch three songs — which for me was a compliment.

We pocketed the cash, packed up, and headed home. Robin, true to form, managed to upset Cumi’s Jane by climbing on her car and vomiting everywhere. A perfect 4Q ending: noise, chaos, laughter, and a trail of mess in our wake.