Neil Crud on Louder Than War Radio – Show 196

Another hour, another glorious racket (as You Slosh once said). We’re deep into autumn now and it's pissing down outside — the nights are longer, the gigs sweatier, and the amps somehow louder. Show #196 kicked off in flight, freefalling somewhere between freedom and fury, noise and nostalgia.

We began airborne with OORYA – Pilots, still one of the most delightfully unpredictable acts around. Steph's upcoming album Who Are Ya! (9x9 and SoL) remains cloaked in mystery, but this track alone could guide you through any storm — all throttle, no autopilot.

Then it was straight to Finland for Kürøishi – Freedom from Poverty.Ignorance.Greed.Slavery (2017). A full-force d-beat detonation from Oulu, channelling blackened crust and melodic rage in equal measure. Their tour blogs read like war journals — equal parts chaos, sweat, and heart — much like their live sets.

England (or maybe not) followed with Bragging Rights – The Wild Things, from the WEEDIAN: Trip To Wales comp. Their Bandcamp says they’re English, but who’s checking passports when the riffs are this good? We don't need borders anyway.

And while we’re questioning borders and boundaries, Citric Dummies – Dropped Out of Punk kept things spinning off-axis — another banger from their split LP with Turnstile, confirming that speed-noise is an international language.

From there, we served up Pete Bentham & The Dinner Ladies – Attention Deficit Retention, off Art Religion & Chocolate Biscuits (on Liverpool’s own 9x9 Records). Proof that satire still sounds best with a sax and a danceable beat.

Abrazos – No Authority But Yourself popped up next, courtesy of shuffle on my YouTube Music app (I've fucked Spotify off) — from the album My Street, a defiant reminder that sometimes punk finds you when you’re not looking.

Then came a welcome blast from Wrexham’s Groom The Giant, with Old Toby from their Old Toby EP. Grunge-soaked and gloriously knackered, these lads have been storming the likes of FOCUS Wales and the Llangollen Fringe — and they sound like they’ve smoked every wizard pipe along the way.

Toronto’s finest, Imploders, detonated again with Backwards, off Targeted for Termination (out on Static Shock and Neon Taste). Raw, ragged, unstoppable.

Local spirit followed in the form of Holy Gloam – Just Checking Out Again, a shimmering, melancholy single from Abergele that proves that even the quietest coastal retreats of Wales hum with noise and magic.

A deep dig next: The Lice – Fight The Front, lifted from the latest Bored Teenagers Vol.16 compilation — 26 years of unearthed classics, still flying out on vinyl. The Lice were early Teesside legends, and this track shows exactly why. And why we need to fight the Front, even though they've got a new name now and all the media give them so much fucking coverage.

Then a rare treat from the vault: Klaus Kinski – Happiness, Happiness, released this week back in 2009 as a teaser for Skelington Horse (Ankst). Every fucked-up note still slinks and snarls with that twisted, joyful arse dripping menace.

Goat Major – Powers That Be kept the Welsh noise rolling with their Ritual LP, all occult fuzz and riffs that sound like they were smelted under a mountain. Their merch game is strong too — those T-shirts (available on Bandcamp) could ward off demons.

Speaking of demons, Zombina & The Skeletones returned with 50 seconds of Beware Cosmic Plague! from In Sinistero (9x9 Records) — B-movie brilliance with a wink, a scream, and a dance step.

Then two breeds of darkness: White Dog – Storm The Streets, a Sydney punk gem sent my way by Alan Littlehales — circa 2019 and still barking loud — followed by The Restarts – Black Dog from Uprising. One of the UK’s most consistent punk bands doing what they do best: roaring truth to power.

And as if to echo that shadow, Botched Toe – Black Dog emerged from A False Glimmer Of Hope (Kibou Records). Three dogs, one fight — all snarling at the void.

Warlockhunt – Your Flaw, Your Fate cast its spell next — from their upcoming Prey LP, due 14th November on Pyrrhic Defeat. The launch party’s at G21 Chester that same night, and it’s shaping up to be biblical. 

Then came Vast Slug – Shinobi vs Mega Nonce, topical, brutal, and refreshingly unfiltered. As should have said on air — the only good nonce is a dead one.

The Skive – Heads on Spikes followed like an anthem for our collective discontent, and then Planet Noir – The Itch, the second track from their excellent Destination EP — Liverpool’s psychobilly-punk newcomers proving once again that the Mersey still mutates in strange and wonderful ways.

Finally, we crash-landed with Holy Coves – Falling Down, their new single ahead of next year’s album Hiraeth. They’ve just wrapped a mini-UK tour, and it sounds like they’ve taken every sunrise and hangover on the road and turned it into melody.

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Playlist – Show 196

• Oorya – Pilots

• Kürøishi – Freedom

• Bragging Rights – The Wild Things

• Citric Dummies – Dropped Out of Punk

• Pete Bentham & The Dinner Ladies – Attention Deficit Retention

• Abrazos – No Authority But Yourself

• Groom The Giant – Old Toby

• Imploders – Backwards

• Holy Gloam – Just Checking Out Again

• The Lice – Fight The Front

• Klaus Kinski – Happiness, Happiness

• Goat Major – Powers That Be

• Zombina & The Skeletones – Beware Cosmic Plague!

• White Dog – Storm The Streets

• The Restarts – Black Dog

• Botched Toe – Black Dog

• Warlockhunt – Your Flaw, Your Fate

• Vast Slug – Shinobi vs Mega Nonce

• The Skive – Heads on Spikes

• Planet Noir – The Itch

• Holy Coves – Falling Down

Neil Crud on Louder Than War Radio – Show 195 (27.10.25)

 

“Broadcasting From The Haunted House Of Love”

It’s that time of year again — the clocks go back, the pubs fill up earlier, and half the people I know are already dressed as ghouls before they’ve even had breakfast. So it felt right that tonight’s show veered somewhere between a séance and a mosh pit.

Still recovering from last Friday’s industrial-electro-feast at The Skerries, Bangor, where Skinflick, Attrition, and Schkeuditzer Kreuz summoned something wicked under the flickering lights — and with another one coming up this weekend (with White Ether, Scotch Funeral, and Spears) — my ears are still howling, but the ghosts demanded another broadcast.

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The Dead Air Sessions

We began in a familiar place: nostalgia dressed in feedback and mis-chords.
Kentucky AFC – Bodlon still hits the spot as it did back in the day; that bittersweet comfort you don’t outgrow. From there, I jumped to Prey – Toxins, because I’m still buzzing from sharing the stage with them a couple of weeks back. There’s something utterly infectious about their energy — maybe it’s the toxins.

Warlockhunt followed with Prey, the title track from their forthcoming album (out 14th November on Pyrrhic Defeat Records). They’ll be launching it at G21, Chester that very night — expect bass, sludge, and ritualistic distortion.

The new Phinius Gage single Wrong Direction came next — a total earworm that’s been burrowed in my skull for weeks — and then we hit something new and noirish from Liverpool. Planet Noir – Mary Shelley conjured a gothic hum straight out of a rain-slick alleyway. Their debut EP Destination (recorded at York’s Young Thugs Studio and produced by Steve Whitfield of Scenius) sounds hugely pleasing and familiar to the ears.

And speaking of Scenius, their Golden By No Means from the excellent 13 Billion Dark Years LP is still shimmering in my head. (Shameless plug: go read my review on Louder Than War.)

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The Punk Continues

From there, No Choice stormed back with System Of A Clown — one of five brand-new tracks they’ve recorded for an album due early next year. Decades in, and these South Wales veterans still sound sharper than ever.

Then came Citric Dummies – I Can’t Relate, from their split LP with Turnstile — I genuinely can’t stop spinning this one. If anyone spots a UK distro carrying it, give me a shout before I start importing them by the crate.

South Wales kept the momentum going with RANK – It’s Up To Us from Brave New Lows; they’re threatening new material in January, which is as good a new-year resolution as any.

Skinflick followed with Fuck The Horse — from their upcoming EP Fear Of The Hope Machine, out on Halloween. After their comeback show in Bangor, I can confirm the fire’s still very much there.

And because that night at The Skerries clearly hasn’t left my system, Attrition’s Dante’s Kitchen (Skinflick Remix) made a perfect ghostly companion piece — originally from 2005 but still reanimating dancefloors and crypts alike.

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Monsters, Moogs & Motherfuckers

Stranglehold – Sideline brought some hard-edged Birmingham bite, while White Ether – All Things Must Change felt like a deep breath before the next weekend’s gig. Then, for a hit of pure chaos, Johnny Moses And The Electric Motherfuckers crashed through with Electric Motherfuckers, from the Dam-Nations showcase on Dammit Records.

Johnny — once the guitarist for punk legends Menace — is back in full throttle alongside Pat Manic Jr. and Paul von Paulus. Together they sound like a bar brawl in 4/4 time, gearing up for album number two in 2026.

Keeping it in the Dammit family, The Phantim swooped in from Lüneburg with Ghost In My Chucks, off the same Dam-Nations October compilation — proof that you can be undead and stylish.

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Falling Into The Void

Things turned darker again with Intercourse – Cadaver Resume, from How I Fell In Love With The Void. It’s one of those albums that feels like it’s peeling the paint off your brain — beautiful, uncomfortable, and entirely necessary.

Then came a long-awaited moment — OORYA – Pilots, a new track from the forthcoming Who Are Ya! album on 9x9 Records. I’ve waited so long to hear new Oorya material, and it’s exactly as wild, weird, and wonderful as expected.

Imploders – Nuke This City detonated next — a frantic blast from their Targeted For Termination LP (out on Static Shock Records). I caught them in Liverpool last year, and they nearly tore the roof off. The recorded version is only marginally less dangerous.

And to almost close out the show — because it is the season of the supernatural — Zombina & The Skeletones arrived with Haunted House Of Love, from their upcoming In Sinistero album on 9x9. If any band can turn horror into happiness, it’s them.

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Playlist – Show 195

• Kentucky AFC – Bodlon

• Prey – Toxins

• Warlockhunt – Prey

• Phinius Gage – Wrong Direction

• Planet Noir – Mary Shelley

• No Choice – System Of A Clown

• Scenius – Golden By No Means

• Citric Dummies – I Can’t Relate

• RANK – It’s Up To Us

• Skinflick – Fuck The Horse

• White Ether – All Things Must Change

• Stranglehold – Sideline

• Johnny Moses And The Electric Motherfuckers – Electric Motherfuckers

• The Phantim – Ghost In My Chucks

• Intercourse – Cadaver Resume

• OORYA – Pilots

• Imploders – Nuke This City

• Zombina & The Skeletones – Haunted House Of Love

• Attrition – Dante’s Kitchen (Skinflick Remix)

#194 - Neil Crud On Louder Than War Radio (20.10.25)

I wasn’t alright.

At least, that’s what The Puncturists kept telling me as I set up the mics. Their song I’m Not Alright was bleeding out of my superdooper headphones — jagged, raw, true — and maybe it was right. It had been a long week.

Between chaos and noise, Imploders crashed in from Toronto with Out Of Time — their new LP Targeted For Termination dropping just in time for their European tour — and I followed it with The Social’s Out Of Time for symmetry’s sake. Two versions, same sentiment: the clock’s running out for all of us.

Somewhere in the static, I could hear Brython Shag shouting Dwnsia Ne Granda! from a warped tape of a 2014 gig — live, hectic, glorious. The sound of a band that could turn even a breakdown into a dance. I smiled. It reminded me that this radio thing has always been a bit like resurrection — pulling ghosts out of old hard drives and half-melted CDRs.

Kuroishi’s Warhead! Warhead! was the sound of fallout, chaos, and caffeine in equal measure — and to balance it, I dropped Attitude’s old 1987 cover of Warhead from their The Good, The Bad & The Obnoxious EP. Decades apart. Punk’s own echo chamber. By the time Stranglehold hit with Tried & True, the levels were in the red and Garry’s grin was audible even through the static. Birmingham hardcore pride, pure and simple.

Down in the basement, 10 Jules were working the faders. Steve Scenius/Klammer has been helping them finish their new EP Maelstrom – Amok. The lead track, Catacombs, filled the room with low-rent fuzz and that beautiful post-punk decay that makes you want to stare at your shoes and nod. “All the best,” he said before disappearing into the noise.

Then came RANK, rolling in from a practice room somewhere near Newport, their Brave New Lows bouncing off the walls. Jon was still buzzing about chaperoning Kuroishi on their UK tour, and it showed. 

Bad Sam followed with Popcorn And Blood, a teaser from their upcoming Trauma LP (out November), and then, because I can’t resist a good word clash, I threw in Alien Matter – Popcorn And Prostitutes. Seemed rude not to.

Celavi have stopped by my Instagram feed all-week — they’re playing The Nelson on Thursday — so I replayed Sori because it deserves another spin, especially now they’re popping up in Metal Hammer and beyond.

Then came a sharp turn. Schkeuditzer Kreuz unleashed their Systematic Death — a CRASS cover that somehow manages to be even more feral than the original — and I found myself thinking about radio as controlled anarchy. 

Things got wonderfully weird when Proprioception took over with Rubberist, from their EP My Salvation Lies in the Church of You. Garry flagged that one for me — three young punks (Beau, Archie, Evie) making something utterly subhuman out of distortion and devotion. Right after, Brandyman’s Cockpit from that old Adam Walton Session (2010) brought a strange, nostalgic calm.

And just when I thought I’d hit the emotional floor, IKHRAS إخرَس tore the ceiling open with Anwa3 Al-Mowt – أنواع الموت. Every sound on that track feels like a different kind of death — and a different kind of life. Thanks, Garry (again), for the reminder.

By the home stretch, it was pure catharsis. Citric Dummies with I Don’t Like Anything (and I still can’t find a UK distro shifting that LP, so if anyone knows, shout!). Then Death Pill from Kyiv with Haters Gonna Hate — fierce, fearless, defiant. Punk from a warzone.

And finally, because I couldn’t end without a little sun after all that shadow, Diet Pills closed the night with Sun. A 2011 gem that still burns bright — and incidentally, they're the band that gave us Thumbsucker.

Full circle. Noise, fury, friends, and feedback.

That’s all I’ve ever wanted radio to be.

Spam Javelin, Thumbsucker, Prey @ The Skerries, Bangor

Saturday night in Bangor's The Skerries was exactly what a local gig should be: packed, loud, and full of glorious uncertainty. As the person handling the booking (a role I don't embrace often, thanks to the sheer terror of "what if no one shows up?"), my anxiety levels were already pegged. Add to that the fact I was also playing with Spam Javelin, and you have a recipe for jitters.

Fortunately, the venue’s backroom was overflowing with freshers—new grant money in hand and hungry for something that wasn't chart pop—ready to dive headfirst into the local scene.

Just to complicate my night, our main drummer, Llion, was off earning some cold, hard cash playing covers like a true drum whore—probably polluting some poor bar with 'Sex On Fire' or other crowd-pleasing nonsense.

Enter our short-notice saviour: Gwyn from Emissaries Of Syn (or "Emissaries Of Gwyn," as he's known around these parts). Gwyn, who even toured with a surrogate SJ lineup years ago, stepped up and absolutely smashed it. We resurrected some old-school Spam Javelin tunes for his benefit and blasted through an energetic 30-minute set. Jitters gone; everyone was ready.

Next up were Thumbsucker, the two-piece power-violence ensemble who had travelled down from Leicester. And when I say they played, I mean they ripped Bangor a new proverbial arsehole. One of the members, who I remember playing the same night as Spam Javelin’s debut over ten years ago, delivered a relentless, ear-muff-testing set.

In 25 minutes, they were over before they started, barely pausing for air. The result? A room full of people left shellshocked, exhilarated, and maybe a little confused—in the best way possible. Ace.

Finally, it was time for the headliners, Prey (although there's none of that 'headlining' nonsense in our punk rock world). They are usually a highly uncompromising outfit, but tonight, they were elevated by the presence of Laura, whose uncompromising vocal style added another layer of intensity to their already immense sound.

Their set was also short, sharp, and totally shocking in all the right ways, ensuring the energy level never dropped. It was great to see, especially since the crowd was engaged and sticking around.

The night wasn't just about the music. I was glad to see the merch table busy, moving not just Prey and Thumbsucker gear, but even shifting two of our Spam Javelin vinyls!

The experience continued back at "Hotel Bastardos" (my place), where the quest for maximum consumption was completed with the opening of a vintage (2023) bottle of Penderyn Whisky. We finally crashed around 2 AM.

Both bands must have been on a mission because when I woke up, they were gone! Thumbsucker had a matinee gig back in Leicester, and apparently (I'm told), they looked "a bit delicate" after their little Bangor adventure. Worth it. All's well that ends well—a great gig, great people, and a night where nothing went wrong (unless you were watching a covers-band a few miles away).

Prey on Bandcamp
Thumbsucker on Bandcamp

Show #192 - Neil Crud on Louder Than War Radio

 

Still buzzing from last week’s gig madness and with another wild weekend on the horizon — Spam Javelin are hitting The Skerries in Bangor this Saturday with Prey (Manchester) and Thumbsucker (Leicester) — it felt right to pack this week’s show with energy, noise, and a few exclusive treats.

And yeah, after last week’s croak-fest, the voice is still holding together (just). Let’s get into it…

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We kicked things off in gloriously cynical fashion with mclusky and Unpopular Parts of a Pig — because really, who better to set the tone? They’ve got that perfect balance of sneer and smirk, and they’ve been everywhere recently, even dragging Mitraille onstage in Belgium this week. Speaking of which, those Belgian bruisers followed straight after with Fuck You I’m Going on Tour, off EP IV, which sounds exactly as unhinged as the title suggests.

Then we jumped into Kläpträp and Not a Crime, a raw slice from the Sea Punx Benefit sessions — recorded alongside their upcoming album and still carrying that saltwater sting.

TV Face continued their unstoppable run with Get What We’re Given (from Wolf Rents Bark), proving again why Lancaster’s finest are quietly (and loudly) one of the most inventive punk trios around.

Things got darker and heavier with Grim Harvest – Ossuary, a perfect soundtrack for October’s descent into longer nights and shorter patience. Beyond Perception cut straight through that fog with To The Point — title says it all really.

No Choice dropped The Orator, a brand new and exclusive blast from the Welsh veterans, still raging with purpose after all these years. Hackjob followed with Hexbridge Youth Crew, fresh from a cracking review by Nathan Brown on Louder Than War. Then Bite Back stormed in with Bad Blood, another LTW-review (cheers Phil Newall) from their Dance of Death LP — and a happy birthday shout to vocalist Hocky!

Stuntface kept the exclusives rolling with Million of You, a track that both reflects and throbs. There’s something so comforting about hearing that unmistakable Stuntface roar back through the airwaves.

Moletrap’s Rhagofn brought a darker, Welsh-language edge to the mix before we swerved back to the skate-punk corner with Phinius Gage – Wrong Direction, a welcome blast from the present that sounds razor-sharp.

Celavi, fresh off The Great Escape Festival and featured in Metal Hammer this week, brought sleek menace and bilingual bite with Sori.

Then came Intercourse with The Ballad of Max Wright — from the eco-conscious How I Fell In Love With The Void, pressed on green-powered bio vinyl that cuts CO₂ emissions by 90%. Punk that’s angry and sustainable — who knew?

From there, the tone turned reflective (sort of). Thumbsucker doubled up with Last Words and Imperfect Organism — both tracks as spiky and uncomfortable as they are strangely moving. Their sound owes a nod to Rudimentary Peni, so naturally I followed that thread with Art of Burning Water’s snarling cover of Rotten To The Core, taken from their 2017 split LP with Containment.

Schkeuditzer Kreuz reappeared with Trips and Trepidation, still touring Europe and still impossible to ignore, before Angerland demanded we Commit a Madness.

Finally, we closed on a future cult classic: Citric Dummies – I Can’t Relate, from their upcoming split LP with Turnstile (out October 17th). Perfect ending — disaffected, snotty, and catchy as hell.

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Playlist – Show 192

• mclusky – Unpopular Parts of a Pig

• Mitraille – Fuck You I’m Going on Tour

• Kläpträp – Not a Crime

• TV Face – Get What We’re Given

• Grim Harvest – Ossuary

• Beyond Perception – To The Point

• No Choice – The Orator

• Hackjob – Hexbridge Youth Crew

• Bite Back – Bad Blood

• Stuntface – Million of You

• Moletrap – Rhagofn

• Phinius Gage – Wrong Direction

• Celavi – Sori

• Intercourse – The Ballad of Max Wright

• Thumbsucker – Last Words

• Thumbsucker – Imperfect Organism

• Art Of Burning Water – Rotten To The Core

• Schkeuditzer Kreuz – Trips and Trepidation

• Angerland – Commit A Madness

• Citric Dummies – I Can’t Relate

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Another episode wrapped, voice hanging by a thread, ears still ringing, though wholly blessed by fucking ace new headphones — just how it should be.
Catch me this Saturday at The Skerries, Bangor, with Spam Javelin, Prey and Thumbsucker — it’s going to be loud, messy and completely worth it.

Sons Of Selina - Jam Tomorrow (Foundation)

Sons Of Selina - Jam Tomorrow

Asimov has a lot to answer for...!
This is the Hidden track on 'Fire In The Hole' album - released 1999 on Delerium Records (re-issued 2010 on Cherry Red).

Song lyrics are based around Isaac Asimov's Foundation universe - which has been adapted into a series on Apple TV. 

Check out the series, read the books, buy the music!

Myself and Robin had become truly bookwormed in Isaac Asmiov's Foundation - we probably read the books at least three times - and there were a lot of books (particularly enjoyed the Robot series). 

Sons Of Selina's lyrical content didn't follow any path or agenda - we wrote whatever popped up at the time. Asimov's books were a particular influence and this song, plus Terminus, Kalgan and Climb were based on the Foundation universe (others ranged from social politics to utter nonsense!).
Incidentally, in all the 18 novels there's no mention of any of the characters being stung £100 for parking slightly over a white line outside The Range - things like this really boil my piss. Things like this should bring Empires down - The parking company responsible for the car park outside The Range in Bangor, Gwynedd, is UK Parking Control Ltd (UKPC) - or CUNTS for short. Absolute muggers, charlatans and definitely No.1 on my hitlist when the revolution comes.

(Anyway, back to my non-reality...) I've just binge watched series one of AppleTV's take on Foundation - hence I put their trailer to our music - I like the angle they have taken, without losing the fabric of the original story. Looking forward to watching series two (probably in three sessions!).

Oh, BTW - Just had my bi-annual statement from Cherry Red Records - a whopping £21 - I'll send you a postcard.

Show #191 - Neil Crud On Louder Than War Radio

 

First things first – apologies for the croaky voice this week. Two Spam Javelin gigs across the weekend left my throat sounding like sandpaper dragged over barbed wire. But the show must go on – and if anything, a but of Barry White only adds lurve to the hour.

This week’s playlist unfolded like a fever dream set in the 1990s. We started in the shadow of the past with Baltimore Gun Club – 1993, stumbled into Slutever – 1994, and found ourselves tangled up in Wobbly Hearts – 1995. A time capsule of angst, distortion, magic mushrooms and the need to find that someone you love..

From there, things turned darker. Prey reminded us we’re all just an Obedient Dog in someone else’s world, while Bite Back surveyed the mess around us and called it what it is – a Crazy World.

But resistance is always at hand. 77 SPEARS spat defiance with The Only Person You’re Fooling Is Yourself, and Stuntface barked out the reminder that Life Is Loud (fuckin' love that song). That energy roared on into Scotch Funeral’s tidal surge Sŵn Y Môr and Thumbsucker’s fragile yet fierce Imperfect Organism.

The middle of the show hit with a mix of swagger and menace: Viva Kinevils – Rocktober swaggered into October File – Crawl, while Two Tonne Machete slammed down the traps and Mitraille – Road Rage floored the accelerator. Somewhere in the chaos, Class whispered their own quiet truth – Too Scared To Care.

Flowers wilted under the lo-fi distortion of Soup Activists – Typical Flowers, while Mouser tore the whole thing down with their scathing To Hell With The New Nazis (courtesy of Dammit Records).

By then, it was time for some twisted philosophy. Future Of The Left chimed in with the unforgettable You Need Satan More Than He Needs You, and Awkland – Internecine pulled us further into the gloom with their internecine warfare of sound. Finally, Gintis closed the show with their gloriously titled Philosophical Transactions Of A Disappointed Physicist – the sound of resignation wrapped in melody and science beautifully set to song. And it's 21 today! (Wow!)

The Playlist – Show 191

• Baltimore Gun Club – 1993

• Slutever – 1994

• Wobbly Hearts – 1995

• Prey – Obedient Dog

• Bite Back – Crazy World

• 77 SPEARS – The Only Person You’re Fooling Is Yourself

• Stuntface – Life Is Loud

• Scotch Funeral – Sŵn Y Môr

• Thumbsucker – Imperfect Organism

• Viva Kinevils – Rocktober

• October File – Crawl

• Two Tonne Machete – Trap

• Mitraille – Road Rage

• Class – Too Scared To Care

• Soup Activists – Typical Flowers

• Mouser – To Hell With The New Nazis

• Future Of The Left – You Need Satan More Than He Needs You

• Awkland – Internecine

• Gintis – Philosophical Transactions Of A Disappointed Physicist